Insidious: Chapter 3 is a film released in 2015 and directed by Erin Connarn, Leigh Whannell. The runtime of Insidious: Chapter 3 is 97 minutes (01 hours 37 minutes). The leading star actors of Insidious: Chapter 3 are Angus Sampson, Corbett Tuck, Dermot Mulroney, Hayley Kiyoko, Leigh Whannell, Lin Shaye, Stefanie Scott, Steve Coulter, Tate Berney, Tom Fitzpatrick. So far the movie has been viewed 3383 times. The main movie genre categories for Insidious: Chapter 3 are: Drama, Horror, Thriller. Movies similar to Insidious: Chapter 3 are The Perfect Holiday, Left Behind, Secretly, Greatly, May, Focus, The Measure of a Man, Cleanskin, Camino, 12 Strong, Unforgettable, Sweet November, The Librarian: Quest for the Spear, The Great Debaters, Hollywood Ending, Light Sleeper, Inside Out, Vicky Cristina Barcelona, Phil Spector
A twisted new tale of terror begins for a teenage girl and her family, predating the haunting of the Lambert family in the earlier movies and revealing more mysteries of the otherworldly realm The Further.
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With the Insidious canon, the writer-producer team of James Wan and Leigh Whannell are building another franchise along the lines of their time-bending Saw series. Having established an intriguing multiverse for Lin Shaye’s homebody psychic to investigate in 2013’s second instalment, this prequel makes an entirely decent fist of a story about a bedbound teenager (the bright, sympathetic Stefanie Scott) attracting demonic interest after reaching out to her late mother. Whannell, making his directorial debut, does a solid job in assembling the nuts and bolts of his own script, loyally bumping up Shaye’s screen time while fashioning some pleasing, suspenseful sequences tracking the demon’s heavy-tar footprints through the Scott household. The envelope remains resolutely unpushed, and the need to function as a multiplex scare-machine precludes the emotionality of The Babadook. Yet, with its slowburn reveals and leftfield jolts, it’s been more carefully constructed than most series’ third chapters. Carrier 30ran serial number decoder.
The first two Insidious films — the tight, terrifying 2010 original, and its weirder though still effective 2013 sequel — were solid examples of our era’s fondness for old-school ghost and haunted-house stories. (In its own way, the first Insidious was a better remake of Poltergeist than the more recent official remake.) Their focused narratives and their use of limited geography served as both a challenge and an opportunity: The first film played with the claustrophobia to chilling results; while the second served as a terrific showcase for Patrick Wilson, who toyed expertly with our uncertainty over his character’s true nature.
The new Insidious, which is a prequel to those earlier films, doesn’t really offer much that’s new, but it starts off as a reasonably reliable series of slow-burn chills. It picks up a few years before the events of the previous two movies, with impressionable teenage aspiring actress Quinn Brenner (Stefanie Scott) trying to communicate with her late mother. She approaches Elise Rainier (Lin Shaye), the psychic from the first film, who, even though she’s out of the business, agrees to help the young girl. Things soon go awry due to the fact that — as Elise tells Quinn — “If you call out to one of the dead, all of them can hear you.” And wouldn’t you know it, a presence far more ill-intentioned than her dear departed ma may have caught a whiff of Quinn’s desperation to commune with the deceased. Soon the young girl is hearing strange noises and seeing strange movements, all the while trying to convince her overworked, harried single dad (Dermot Mulroney) that something not entirely normal might be going on. Elise, meanwhile, doesn’t want to have anything to do with the situation: She already knows way too much about the Further, the dimension where the dead reside — both helpful ghosts and snarling demons — and where one sneering apparition has vowed to eventually kill her.
Since the beginning, the Insidious films have been a collaboration between the guys who gave us Saw — James Wan and Leigh Whannell — and the guy who gave us Paranormal Activity, producer Oren Peli. The first two films were directed by Wan, who has since moved on to throwing muscle cars out of cargo planes; the director this time around is his longtime collaborator and writer Whannell. While their work can vary wildly in quality, all of these filmmakers have built their careers on manipulating the helplessness on which horror feeds — helplessness on the part of both the audience and the characters. In Insidious: Chapter 3, that manifests itself through a car accident that leaves Quinn immobile for much of the film, her two enormous leg casts serving as a constant reminder that she can’t really run away from anybody, living or dead. The film’s most affecting quality is the atmosphere of inevitability it weaves around this girl stuck in bed: Quinn is a sitting duck, and the film makes sure that we know it. Whannell also makes clever use of shadowy backgrounds, much as Wan did in the first Insidious — placing figures and objects in the dark recesses of the frame that seem mundane until they suddenly aren’t.
But as Elise comes back into the story and the film slips deeper and deeper into the Further, the scares start to dissipate, giving way to halfhearted bits of action, clunky comedy, and de rigueur world-building for the earlier (a.k.a. later) films. The dead seem a little too easily dispatched once one fights back, which retroactively threatens to defuse the tension of the whole movie. (“Oh, is that all they had to do?” I found myself muttering at one point.) There’s also the small matter of Tucker (Angus Sampson) and Specs (Whannell himself), the two comic relief ghost-hunters from the earlier films, who are introduced here with all sorts of knowing in-jokes that may fly over the heads of anyone who hasn’t watched those films too recently. The result is a film thatstarts off as a solid, workmanlike exercise in horror, but it can’t quite keep that energy through to the end. This is so often the problem with this genre — scary setups, followed by dopey resolutions — that you sort of want to give the movie a pass. But given its distinguished forebears, Insidious: Chapter 3 doesn’t quite live up to expectations.
Movie Review: Insidious: Chapter 3EditInsidious: Chapter 3 - Jede Geschichte hat einen Anfang (2015)
Directed by
Leigh Whannell |
Writing Credits
Leigh Whannell | .. | (written by) |
Leigh Whannell | .. | (characters) |
Cast (in credits order) verified as complete
Dermot Mulroney | .. | Sean Brenner | |
Stefanie Scott | .. | Quinn Brenner | |
Angus Sampson | .. | Tucker | |
Leigh Whannell | .. | Specs | |
Lin Shaye | .. | Elise Rainier | |
Tate Berney | .. | Alex Brenner | |
Michael Reid MacKay | .. | The Man Who Can't Breathe | |
Steve Coulter | .. | Carl | |
Hayley Kiyoko | .. | Maggie | |
Corbett Tuck | .. | Danielle | |
Tom Fitzpatrick | .. | Bride in Black | |
Tom Gallop | .. | Dr. Henderson | |
Jeris Poindexter | .. | Harry (as Jeris Lee Poindexter) | |
Ele Keats | .. | Lilith Brenner | |
Phyllis Applegate | .. | Grace | |
Phil Abrams | .. | Mel | |
Erin Anderson | .. | Two-Faced Woman | |
Amaris Davidson | .. | Nurse | |
Ashton Moio | .. | Hector | |
Ruben Garfias | .. | Ernesto (as Rubén Garfias) | |
Fawn Irish | .. | Lambert Woman | |
Taylor John Smith | .. | Teenage Boy | |
Adrian Sparks | .. | Jack Rainier | |
Jacob Crawford | .. | Male Nurse | |
James Wan | .. | Theater Director | |
Garrett Ryan | .. | Young Josh | |
Joseph Bishara | .. | Lipstick-Face Demon | |
Rest of cast listed alphabetically: | |||
Roy Allen III | .. | The Shadowy Figure (uncredited) | |
Neil H. Berkow | .. | Bartender (uncredited) | |
Vanéx Favors | .. | Hospital Patient (uncredited) | |
Joey Graceffa | .. | Demon (uncredited) | |
Annie Hsu | .. | Dead 1950's girl in hallway (uncredited) | |
Owen the Golden Retriever | .. | Warren (uncredited) | |
Lara Starr Rigores | .. | Dead Girl In Bathtub (uncredited) | |
Kara C. Roberts | .. | ER Nurse (uncredited) | |
Anna Ross | .. | Dead Teenage Junkie (uncredited) |
Produced by
Insidious Chapter 3 123movies
Laura Altmann | .. | associate producer |
Jason Blum | .. | producer |
Lia Buman | .. | executive producer |
Bailey Conway | .. | co-producer |
Phillip Dawe | .. | co-producer |
Brian Kavanaugh-Jones | .. | executive producer |
Charles Layton | .. | executive producer |
Xavier Marchand | .. | executive producer |
Rick Osako | .. | co-producer (as Rick A. Osako) |
Oren Peli | .. | producer |
Peter Schlessel | .. | executive producer |
Steven Schneider | .. | executive producer |
Jeanette Volturno | .. | co-producer (as Jeanette Volturno-Brill) |
James Wan | .. | producer |
Music by
Joseph Bishara |
Cinematography by
Watch Insidious Chapter 3 Online Free
Brian Pearson | .. | director of photography |
Film Editing by
Timothy Alverson | .. | (as Tim Alverson) |
![Full Full](https://fanart.tv/fanart/movies/280092/moviebackground/insidious-chapter-3-57fdffed6184d.jpg)
Casting By
Terri Taylor |
Production Design by
Jennifer Spence |
Art Direction by
Jason Garner |
Set Decoration by
Lori Mazuer |
Costume Design by
Ariyela Wald-Cohain |
Makeup Department
Ozzy Alvarez | .. | special makeup effects artist |
Cary Ayers | .. | additional makeup artist |
Samantha Breault | .. | fabrication department |
Emma Johnston Burton | .. | makeup artist |
Brian Clawson | .. | silicone technician |
Yunea Cruz | .. | hair stylist |
Suzanne Diaz | .. | makeup artist |
Bernhard Eichholz | .. | fabrication department (as Bernie Eichholz) |
Michael Ezell | .. | project coordinator |
Thomas Floutz | .. | prosthetic makeup artist (as Thom Floutz) |
Jennifer Gerber | .. | additional makeup artist |
Joe Giles | .. | mold department |
Brian Goehring | .. | mold department |
Joe Gomez | .. | mold department |
Anthony Gordon | .. | additional makeup |
Brian A. Jones | .. | silicone technician |
Sava Markovic | .. | lens technician |
Liz Mendoza | .. | co-department head makeup |
Bart Mixon | .. | prosthetic makeup artist (as Bart J. Mixon) |
Ken Niederbaumer | .. | special makeup effects artist |
Pavy Olivarez | .. | key hair stylist |
Cristina Patterson | .. | contact lens designer/painter |
Sam Polin | .. | fabrication department |
Justin Raleigh | .. | special make-up effects designer: and creator |
Robert Ramos | .. | mold department |
Eleanor Sabaduquia | .. | co-department head makeup |
Traci E. Smithe | .. | department head hair |
Robert Smithson | .. | contact lens technician |
Dave Snyder | .. | prosthetic makeup artist |
Brett Stern | .. | special makeup effects artist: Fractured FX |
Jill Warner | .. | purchasing and shipping coordinator: Fractured FX |
Kodai Yoshizawa | .. | sculptor |
Production Management
Laura Altmann | .. | production supervisor |
Phillip Dawe | .. | head of post production |
Rick Osako | .. | unit production manager (as Rick A. Osako) |
Jennifer Scudder Trent | .. | post-production supervisor |
Second Unit Director or Assistant Director
Phil DeSanti | .. | additional second assistant director |
Emily Hogan | .. | second second assistant director |
Dan Lazarovits | .. | first assistant director (as Dan 'Laz' Lazarovits) |
Marc Newland | .. | second assistant director |
Kelly Stevens | .. | additional second assistant director |
Morgan Willis | .. | dga trainee |
Art Department
Ryan Alliston | .. | set painter (as Ryan 'Virgil' Alliston) |
Kurt Altschwager | .. | carpenter |
Luke Anderson | .. | set painter |
Niicholas Anderson | .. | set painter |
Victor Anderson | .. | construction coordinator |
Tony Aranda | .. | carpenter |
Devin Ballard | .. | associate art director: title sequence |
Julia Bersch | .. | art department assistant |
Kai Blomberg | .. | set dresser |
Micah Brenner | .. | storyboard artist |
Hunter Brown | .. | property master (reshoots) |
Vance C. Browne Jr. | .. | carpenter |
John Brunot | .. | property master |
Bret Buchanan | .. | general foreman |
Jeremy Cisneros | .. | on set dresser |
Natalie Contreras | .. | buyer |
Michael Duncan | .. | construction gangboss |
David Falconer | .. | plasterer foreman |
Andree Flores | .. | laborer |
Reggie Garcia | .. | laborer |
Steven Getz | .. | carpenter |
Michael Goto | .. | medical arts: technician |
Dave Gustaveson | .. | paint foreman |
Devin Gustaveson | .. | set painter |
Brenner Hugh Harris | .. | set dresser |
Richard Holling | .. | plasterer |
Daniel R. Jewell | .. | construction accountant |
Dylan Jewell | .. | set painter |
Helen Jun | .. | art department assistant |
Ian Kay | .. | assistant property master |
Kurt Keitzman | .. | set dresser |
George W. Kiel | .. | set dresser |
Adam Kirby | .. | set dresser |
Dean Lakoff | .. | set dresser |
Trevor Larkin | .. | set dresser |
Tuyet van thi Mach | .. | prop maker |
Joshua Min | .. | concept artist |
Tracy Minter | .. | location foreman |
Charlie Montoya | .. | set dresser |
Johnny Morales | .. | laborer (as Johnny 'The Bear' Morales) |
Jeff Passanante | .. | stage foreman |
Gerorge Piceno | .. | set painter |
Jesse Poupis | .. | carpenter |
Christy Powers | .. | construction medic |
Steffen Reichstadt | .. | concept artist |
Mark Roberts | .. | laborer |
Robert Ross | .. | set dresser |
Richard Sarabia | .. | laborer |
Rick Seidemann | .. | set painter |
William Eric Seidemann | .. | standby painter |
Aaron Sims | .. | concept artist |
Dave Slattery | .. | laborer foreman |
Jake Slattery | .. | laborer |
Jennifer Stoefen | .. | art department coordinator |
Mark Sunga | .. | set dresser |
Mike Sunga | .. | leadman (as Michael Sunga) |
Lori West | .. | graphic designer |
Michael Goto | .. | assistant property master (uncredited) |
Sound Department
Jithu Aravamudhan | .. | foley artist |
Cole Bluma | .. | boom operator |
Mark Coffey | .. | assistant sound editor |
Evan Daum | .. | adr mixer |
Kevin Froines | .. | re-recording mix technician |
Judah Getz | .. | adr mixer |
Aleksandr Gruzdev | .. | dialogue editor |
Paul Hackner | .. | supervising sound editor |
Ted Hamer | .. | boom operator |
Michael Kaleta | .. | cable man |
Craig Mann | .. | re-recording mixer |
Michael Novitch | .. | chief engineer |
Magdalena Questa | .. | Latin American Spanish Dubbing and Mixing Supervising |
Buck Robinson | .. | production sound mixer |
Pernell L. Salinas | .. | assistant sound editor |
John Sanacore | .. | foley mixer |
Christopher T. Silverman | .. | sound utility |
Paul Stula | .. | epk sound mixer |
Alex Ullrich | .. | foley artist |
Martyn Zub | .. | Sound Designer / re-recording mixer |
Anthony Aleshire-Rezendez | .. | assistant sound editor (uncredited) |
Special Effects by
Melanie Aksamit | .. | production assistant: Fractured FX |
Sean K. Gordon | .. | special effects technician |
John C. Hartigan | .. | special effects supervisor |
Zak Knight | .. | special effects foreman |
Russell Lukich | .. | special effects makeup: Fractured FX |
Steve Newquist | .. | special effects coordinator |
Charles A. Price | .. | special effects technician |
Visual Effects by
Aha | .. | post-visualization supervisor / visual effects artist: Legion Studios (as Cyborg Ant) / visual effects lead: Legion Studios (as Cyborg Ant) |
Jean-Luc Azzis | .. | compositing |
Rachel Barkow | .. | visual effects coordinator: Legion Studios |
Aaron Becker | .. | title designer |
Tyler Bennink | .. | visual effects coordinator: Legion Studios |
Phillip Broste | .. | lead compositor |
Rommel S. Calderon | .. | additional lighting |
Kim Fogelberg | .. | compositing |
Nick Guth | .. | compositing |
James David Hattin | .. | visual effects supervisor |
Seth Kleinberg | .. | executive producer: for Filmograph |
Anthony Kramer | .. | compositing |
James Jooyoung Lee | .. | visual effects supervisor: title sequence, Greenhaus GFX |
Tingting Li | .. | cg artist: credits sequence |
Matthew T. Lynn | .. | on-set visual effects supervisor |
Evans Mark | .. | lead tracking/matchmove |
John R. McConnell | .. | compositing |
Shamus McGlynn | .. | 3d modeling |
Katlan Merrill | .. | pipeline developer: Legion Studios |
Brad Moylan | .. | compositing |
Michaela O'Brien | .. | accounting |
Brandon Rachal | .. | pipeline developer: Legion Studios |
Matthew Redding | .. | cg artist: title sequence, Greenhaus GFX |
Jonathan Robinson | .. | compositing |
Scott Rosekrans | .. | lead lighter: 3D |
Adam C. Sager | .. | visual effects: marketing |
Kevin Shawley | .. | compositing |
Nate Smalley | .. | visual effects producer (as Nathaniel Smalley) |
Kyle Spiker | .. | lead compositor |
Nico Sugleris | .. | effects: simulations |
Amador Valenzuela | .. | animator |
Amber Wilson | .. | compositing |
Dylan Yastremski | .. | compositing |
Stunts
Bradley James Allan | .. | utility stunts (as Brad Allan) |
Kristina Baskett | .. | stunt double: Quinn |
Keir Beck | .. | utility stunts |
Joey Box | .. | stunt double: Sean |
Mark Ginther | .. | utility stunts |
Cassidy Hice | .. | stunt double: Elise/Quinn (as Cassidy Vick Hice) |
Terry Jackson | .. | stunt driver |
Jess King | .. | utility stunts |
London Elise Kress | .. | stunt double: Quinn (as London Elise Moore) |
Hugh Aodh O'Brien | .. | utility stunts |
Tarah Paige | .. | stunt double: Stephanie Scott/Lin Shaye / stunts |
Mark Rayner | .. | stunt coordinator |
Vladimir Tevlovski | .. | stunt double: Bride in Black |
Camera and Electrical Department
James Boyer | .. | set lighting technician |
Sarah Brandes | .. | b camera second assistant |
Dane Brehm | .. | digital imaging technician |
Patrick Brennan | .. | rigging set lighting technician |
Pierre Cane | .. | rigging set lighting technician (as M. 'Pierre' Cane) |
Chris Christensen | .. | grip (as Christian Christensen) |
Ryan Clemons | .. | set lighting technician |
Tommy Donald | .. | grip (as Tommy 'LT' Donald) |
Michael Dorowsky | .. | rigging set lighting technician |
Chad Eshbaugh | .. | technocrane tech |
Chris Freilich | .. | epk camera operator |
Yuka Kadono | .. | film loader |
Matt Kennedy | .. | still photographer |
Alex Klabukov | .. | key grip |
Gray Lanaux | .. | a dolly grip |
Chris Lewis | .. | rigging best boy stage |
Joshua Liberman | .. | set lighting technician |
Todd Liggitt | .. | grip (re-shoots) |
Johnny Madison | .. | set lighting technician |
Hayk Margarian | .. | video playback (as Hayk Margaryan) |
Kevin Massey | .. | chief lighting technician / gaffer |
Chris Maybugh | .. | b dolly grip (as Chris Mayhugh) |
Richard Moriarty | .. | b camera / movi operator |
Jon Munson | .. | rigging set lighting technician |
Adam Neas | .. | best boy grip |
Jeff Porter | .. | b camera first assistant |
Coleton Rice | .. | rigging set lighting technician |
Manuel Rojas | .. | a camera operator (as Manolo Rojas) / steadicam operator (as Manolo Rojas) |
Richard Roles | .. | aerial photographer |
Brian Sandoval | .. | rigging grip |
Isaac Sandoval | .. | rigging key grip |
Chris Shadley | .. | video assist (as Chris 'Fish' Shadley) |
Casey Slade | .. | grip |
Jake W. Smith | .. | grip |
Tim Stratton | .. | rigging assistant chief lighting technician |
Bryan Lee Taylor | .. | assistant chief lighting technician / rigging chief lighting technician |
Mike Tenerelli | .. | rigging grip |
R. Gern Trowbridge | .. | dimmer board operator (as Gern Trowbridge) |
James Viera | .. | grip (as Jimmy F. Viera) |
Tom Villa | .. | rigging grip (as Tommy Villa) |
Christopher Wielkiewicz | .. | set lighting technician |
Nicole Wilder | .. | additional still photographer |
Matthew W. Williams | .. | a camera second assistant |
Harry Zimmerman | .. | a camera first assistant |
Casting Department
Ally Conover | .. | casting assistant |
Michelle Gabriel | .. | extras casting coordinator |
Barbara Harris | .. | adr voice casting |
Sarah Domeier Lindo | .. | casting associate (as Sarah Domeier) |
Susan Turner | .. | extras casting coordinator |
Costume and Wardrobe Department
Caitlin Doolittle | .. | costume production assistant |
Elizabeth Anne Hanley | .. | key costumer |
Philip Maldonado | .. | ager & dyer / set costumer |
Nicholas McGrath | .. | costumer |
Jacqueline Shulman | .. | costume supervisor |
Editorial Department
Susan Alexander | .. | digital intermediate producer (as Sue Alexander) |
Matoder Avanessian | .. | lab color timer |
Tritia Espinoza | .. | international editor |
Bob Fredrickson | .. | digital intermediate editor |
Zachary Medow | .. | on-line conform |
Tim Mirkovich | .. | first assistant editor |
Niccole Ostonio | .. | post-production coordinator (as Niccole Osborn) |
Claire Paluzzi | .. | post-production assistant |
Jose Parra | .. | digital intermediate supervisor |
Angelique Perez | .. | digital intermediate producer |
Matthew Prescott | .. | apprentice editor |
Jason A. Rostovsky | .. | post-production assistant |
Drew Sacks | .. | first assistant editor |
Tom Vice | .. | senior vice president of post production |
Walter Volpatto | .. | digital intermediate colorist |
Location Management
Christina Beaumont | .. | key assistant location manager |
Kandice Billingsley | .. | location manager |
Carrie Cantore | .. | key assistant location manager |
Lucas Cotterman | .. | location manager |
Joshua Brian Pierce | .. | assistant location manager |
Music Department
Lauren Aghajanian | .. | music assistant |
Alisa Burket | .. | music assistant |
Fernando Morales Franchini | .. | second engineer |
Richard Henderson | .. | music editor |
Dave Lombardo | .. | drums |
Julie Sessing | .. | music supervisor |
Chris Spilfogel | .. | score engineer: and mixer |
Transportation Department
Sultan Batayneh | .. | transportation driver |
David Josh Bermudez | .. | transportation driver (as Josh Bermudez) |
James G. Brill | .. | transportation coordinator |
Joe Chavez | .. | transportation driver |
Scott Duncan | .. | driver: honeywagon |
Myles Kimura | .. | transportation co-captain (as Myles 'Not Scott' Kimura) |
Scott Loveless | .. | transportation co-captain |
James Messersmith | .. | transportation driver |
Kevin Russell | .. | transportation driver |
Matthew Talamantes | .. | transportation captain (as Matt Talamantes) |
Greg Taylor | .. | transportation driver |
Rick Vestal | .. | driver: honeywagon |
Other crew
Steve Berman | .. | completion guarantor: Film Finances |
Chance Bostick | .. | set production assistant |
Justin Carville | .. | production accountant |
Sungmi Choi | .. | head of marketing: Blumhouse Productions |
Erin Connarn | .. | script supervisor |
Annie Connors | .. | assistant: to Mr. Whannell |
Daniel B. Dawson | .. | accounting clerk |
Edouard de Lachomette | .. | assistant: to Mr. Kavanaugh-Jones |
Kenneth T. Deutsch | .. | bank counsel: Entertainment One |
Audra Dore | .. | animal trainer (as Audra Doré) |
Claire Doré | .. | animal trainer |
Hillel Elkins | .. | head of business affairs: Blumhouse Productions |
Alan Evrard | .. | stand-in |
James Ferrera | .. | unit publicist |
Mandy Friedrich | .. | studio teacher (as Mandy Milgrom-Friedrich) |
Arthur J. Gallagher | .. | production insurance |
Gary A. Hirsch | .. | production legal counsel |
Orlando Hurtado | .. | chef: Chef Robért Catering (as Orlando O. Hurtado) |
Kendall Johnson | .. | bank counsel: entertainment one |
Jamie Kapili | .. | production staff |
Aaron Khristeus | .. | post accountant |
Amanda Koh | .. | end title sequence designer and animator: Greenhaus GFX |
London Elise Kress | .. | stand-in (as London Elise Moore) |
Johnny Byul Lee | .. | set production assistant |
Kate Leonetti | .. | set production assistant |
Stephanie Louie | .. | production secretary |
Nicholas Marro | .. | assistant: to Mr. Blum |
Cassandra Martinez | .. | first assistant accountant |
Phil Matthews | .. | set production assistant |
Kelly McCrossan | .. | post accounting clerk |
Stephan Michaels | .. | additional clearance |
Daniel A. Mondschain | .. | physical production executive |
Amy Paquette | .. | legal counsel: entertainment one |
Theia Michelle Patra | .. | key craft service |
Lisa Patton | .. | set medic (as Lisa A. Patton) |
Natasha Payne | .. | finance: for Entertainment One |
Catherine Pittman | .. | animal coordinator |
Mark Anthony Rojas | .. | lead layout board (as Mark Rojas) |
Chris Ruiz | .. | coordinator of physical production: Blumhouse Productions / coordinator: of physical production |
Matthew Ryckman | .. | assistant: to Mr. Blum (as Matt Ryckman) |
Sasha Sheldon | .. | stand-in |
Nathaniel David Shriver | .. | office production assistant |
Jack Simpson | .. | assistant craft service |
Chelsea Stardust | .. | assistant: to Mr. Blum (as Chelsea Peters) |
Erin Vitali | .. | production coordinator |
Thanks
Liad Cohain | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie (as Laid Cohain) |
Ryan Farhoudi | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Scott Henderson | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Stephan Michaels | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Pixies | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Stacey Testro | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Corbett Tuck | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Joe Grady Tuck | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Pam Tuck | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Adam Whannell | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Sabine Whannell | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Laura Wilson | .. | special thanks / the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
Alexander Yarosh | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie (as Alex Yarosh) |
Katie Ybarra | .. | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |